How does the sensor fare in low-light conditions?
I took the Spark out behind the Salt Lake City Capital building, just beyond the grounds to get some cinematic pans and still shots. These included panos, vertical panos, 180 panos and regular captures.
As you can see, there is a little over-bright that can be compensated post-production, but I’m sure that once I get the settings figured out on board the aircraft…this won’t be an issue.
Finally, here is a complication video I put together of the flight.
Also published on Medium.